Kicks Condor

LEECHING AND LINKING IN THE HYPERTEXT KINGDOM

I FIRST DISCOVERED
THE 【TECHS-MECHS】WHO
ARE A CLAN OF SOUTH
OF THE BORDER GUNDAM
BREAKING DOWN
IMMIGRATION FENCES
WITH THEIR
IMPRESSIVE MANOS
MECANICAS

PLUNDER THE ARCHIVES

This page is also on dat.

MOVING ALONG LET'S SEE MY FAVORITE PLACES I NO LONGER LINK TO ANYTHING THATS VERY FAMOUS

philosopher.life, the 'wiki'/'avatar'/'life' of h0p3. serious rabbithole. k0sh3k. j3d1h. luxb0x.

nathalie lawhead of so many good things, where does one begin. T, U, I.

surfpals: things by j, also joe jenett (of linkport), brad enslen (of indieseek).

indieseek blog, bumped into brad somehow and we crosstalk a ton about the web.

linkport by joe jenett---blogs at i.webthings.

an eye on: ᛝ ᛝ ᛝ — lucid. jacky.wtf, humdrum.life, j.greg, box vox, whimsy.space, caesar naples.

indieweb: .xyz, eli, c.rwr, boffosocko.

nostalgia: geocities.institute, bad cmd.

true hackers: ccc.de, fffff.at, voja antonić, cnlohr, esoteric.codes.

chips: zeptobars, scargill, 41j.

dwm, julia, tridactyl these are things you'll want on linux.

neil c very famous but should be a world icon.

the world or cate le bon you pick.

sammyclassicsonicfan the original teen rage adventure.

innovation.isotropic.org probly the best carl chudyk game.

and opinionated gamers for non-chudyk game analysis.

my twitter. my github. minor things.

#hypertext
THE WEB IN ALL ITS FORMS

Yeah, so, this is the primary tag that I use throughout this site. Anything tagged ‘hypertext’ refers to the Web: unique personal blogs and home pages and wikis, where modern hypertext is going, surviving the Internet and searching or organizing or creating hypertext. (The other primary tags are: garage and elementary.

Common tags beneath this one are:

  • linking: Discussion about mere ‘linking’—that direct linking suffices for ‘liking’/‘friending’/‘upvoting’, that Google has hindered it with its heuristic, and that I like TO DO IT.

  • catalog: How to catalog links and hypertext for yourself and others. Lots of discussion about link directories and wikis.

  • chain: Managing chains of links and conversations through hypertext.

17 May 2019

Mapping Imaginary Cities

Brilliant talk by @tripofmice: a good introduction to maps, but also, hey, how to generate a world.

This talk is ostensibly about cartography, but has a lot of curious details that I think are applicable to any kind of technology—but definitely very applicable to the Public Self-Modelers out there.

The speaker, Mouse Reeve, makes a comment (at 11’29") about maps as ‘models’:

I like to think of a map as a model. And the process of making a map is the process of modeling. And models are inherently incomplete. And this is really, really good because it means you can never finish. And, um, if we could make a model that perfectly represented what we were modeling, it would raise a lot of really disturbing philosophical and ethical questions also—in terms of pocket universes.

Emphasis mine. (Obviously—it’s so rare that one hears vocal italics.) This has really crystallized for me the new excitement over those of you out there who are starting to hypertext yourselves in TiddlyWikis. I have not been doing this—this blog is an old-fashioned style links-and-essays blog that just kind of acts as a portal between all of you. And part of my hang up has been what m.r. says: that a model is always incomplete. (🚬 C’est n’est pas une h0p3.)

But then comes the line: this is really, really good. And I find that I truly agree with this! And even the ending line suggests that a perfect equivalence in a model may not even be desirable! (Like: thank god that Magritte’s pipe is not just a pipe.)

m.r.'s website is here, which fits right in with my monthly href hunt. The generated maps are at unfamiliar.city.

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things magazine

‘We’re the kind of haphazard store that’s run by a shopkeeper/hoarder who won’t necessarily sell you something if he doesn’t want to…’

Continuing the recent theme of Roundups, I couldn’t resist checking in with things magazine, which has been a rich source of wonderful linkdumps for nearly two decades. There is also a popular Tumblr attached and a print journal that predates the blog.

I make many efforts to contact folks doing good work, but often can’t get a reply. My blog is as underground as they get and I wonder if my e-mails or DMs ever go anywhere. I was so glad to have this conversation with J—and I still have many questions, so I hope our chats continue.

kicks: You’ve all been on the web since 2000. In a way, this isn’t that special—blogging exploded around this time. But you kept going. What keeps you blogging nineteen years later?

j: It’s a habit, as much as anything else (although the site is currently on one of its temporary hiatuses). One of the original motivations for things was as a store of interesting links that I could refer back to, relating to my interests and those of contributors to what was once a print magazine.

But our link style is quite obtuse and it doesn’t really work as a searchable archive. So it’s more of a collection of moods—both mine and the culture at large.

kicks: Ok, wait, go back—hiatus? Not sure what to make of that! Your post today, for example, is a mean one. A rich trove of links. That had to take some hunting. Overall, I feel like your writings this year have been quite regular.

j: Yes, today’s post was a bit of a surprise. I’ve been building up a collection of stuff these past few days. I had meant to stay away for longer. Maybe our conversation inspired me.

kicks: You recently (briefly) mentioned the disappearance of what was once a whole ‘blogosphere’, saying, “our own blogroll is home to many an abandoned project…”

Even the blogroll itself has disappeared out there. Why do you think that is? Perhaps because they became difficult to keep up? Perhaps there’s a sense that linking isn’t worth doing any more unless it’s as a ‘like’ or a ‘friend’?

j: There was definitely a circularity to early blogging, links that were shared and directions travelled together. One by one people have fallen by the wayside. I guess it’s all there in the Wayback Machine, but occasionally I find a ‘traditional’ style link blog that transcends the awful ‘like and subscribe’ ethos of today’s internet.

kicks: Mmm, ‘circularity’—yes, when you say this, I’m reminded of how certain links would dominate all the blogs simultaneously—like when The Grey Album came out. But I think ‘circularity’ applies also in describing the currents that were flowing between these blogs.

It was just easier to get caught up in hopping from blog to blog and finding dozens of fascinating links in a given day. And not just the links—the blogs themselves were often the most fascinating finds. (One blog I was really into at the time was Sharpeworld—a lot of transporting, campy videos and links.)

Actually, let’s do this—if you were to envision a new future for blogging, a kind of renaissance—what blogs (new or defunct) do you wish were at the heart of this?

j: I loved Sharpeworld too. And Haddock.org, diskant.net, ilike.org.uk, a.wholelottanothing.org, textism.com, slower.net, plasticbag.org and many more.

I don’t necessarily think there needs to be a new future for blogging though. The heyday has passed, that’s all. Most forms of creative expression in most mediums still exist somewhere for someone. They just have to adapt to a quieter world. I check our traffic most days, out of habit—it’s not terribly impressive by any standards and is on a long-term downward trend…

kicks: It seems like things has kept an eye on communities like MeFi, Delicious and Tumblr over the years. Reading through your blog, I was reminded of those years when mp3 blogs were exciting. These communities always seemed like little underground holes or out-of-the-way clubs. Even Tumblr and Blogspot felt that way, because blogs have a lot of individuality. Any new communities springing up that excite you?

j: Not so much Delicious, because I always felt a bit late to that party, but I’ve long loved MeFi (although that’s feeling a little rusty these days as well). Tumblr I have a lot of affection for, although I still haven’t really forgiven it for killing off fffffound. Communities have become necessarily more niche—a forum here, a forum there—but there’s nothing I’d consider sticking my head up above the parapet for.

kicks: You usually cover art—which still has an enormous presence on Tumblr and Twitter and such—but are ‘net.art’ type works dead? Perhaps this isn’t in your wheelhouse—are there still artists that work with hypertext or is that just the domain of designers now?

j: ‘Net.art’ was a diversion and still exists, but it feels like the interesting hypertext/digital work is coming out of graphic design these days, not fine art. Art has moved on, whereas the applied arts have a much greater sense and understanding of the power of nostalgia.

kicks: Do you mean like stuff you might find at CSS Design Awards? (Like, I think of Erik Bernacchi’s site or Lynn Fisher’s 2017 site.) I think I have a theory about this.

Which is: I think it’s so much tougher to be subversive with HTML now. Much of the original hypertext art messed with HTML frames and pop-up windows. I remember some of these sites spawning lots of little pop-up windows and orchestrating them. That would just never be possible today. Even autoplay and MIDI is restricted now.

j: In terms of art I take your point about it being tough to be subversive on the web—everyone’s online experiences are very tram-lined these days and any deviation from expected standards of usability are massively frowned upon—they’re either seen as offensive or even potentially dangerous so even the slightest hint of a browser or data hijack are right out the window. The stakes are much higher, I guess. Whatever, art moved on a while ago. The internet is a vessel but no longer a medium.

One of the ongoing motivations for things is the idea of mental as well as literal links, that sense of disparate things being related somehow, or a path leading somewhere. That was the big dream of hypertext, which was supposed to be a literary as well as an informational device.

The only place that still really works are sites like Wikipedia or TVTropes, where you still get that sense of burrowing down through layers and layers of information. I like this because it mirrors thought processes, and the way in which you have to mentally rewind to get back to where you started from. It drives me mad when publications add self-referential hyperlinks that simply send you around a closed loop.

Must check out TiddlyWiki…

kicks: things Magazine as a ‘personal store’ and a ‘habit’—these reasons for continuing have nothing to do with an audience. This is a very common theme among those that I find still hypertexting.

There is a growing number of TiddlyWiki users—like h0p3 at philosopher.life and Phil at youneedastereo.com, my friend sphygm.us—and it takes real work to sift through what they’re doing. They are dumping raw notes and drafts on the Web. In some way, I think this is related to the ‘obtuse’ linking style you use—dense, really requiring something of the reader.

Now that you are many years into your habit, how do you personally use this ‘store’?

j: Sadly it doesn’t really work like that. I never mastered the art of tagging stuff so the tools on the site are of limited use. There’s an archive page I built a decade ago when I knew how to do that sort of thing but it would be great to have some kind of random access button the front page. Right now, we’re the kind of haphazard store that’s run by a shopkeeper/hoarder who won’t necessarily sell you something if he doesn’t want to…

kicks: This is an amusing reply to me—I’m of two minds about seeing things as ‘haphazard’. It’s deceptive—the blog layout itself is quite the opposite—neat and crisp (and this is true of your Tumblr, too) and even a lot of the visuals that you snip are geometric. One’s perception immediately connects it with a museum or card catalog.

Yet, I see what you’re saying. You often will spill twenty different links in a paragraph, sometimes with very little assistance as to what is beneath that link. And I’ve seen posts where you dump a pile of random Tumblrs with short cryptic titles in a long run-on sentence. You switch topics mid-paragraph. A paragraph will go from a cohesive thought into a kind of, yes, ‘haphazard’ link poem.

To many of these TiddlyWiki users, the wiki acts as a model of themselves—not a straight download, of course, but a pretty thorough map of their thinking and personality. things is not this, perhaps more like a construct of Borges—where you have the external appearance of a literate, orderly castle which is much closer to a labyrinth of madness within. So, if this is my picture of things—how does this compare with your initial intentions for it? How does it compare with where you think it might end up as?

j: ‘Link Poem’ is a good description of what we do. things was always a work in progress, both as a magazine and then as a website. It has calcified slightly from its early days when we’d also post longer pieces by other people (they’re all buried there somewhere)—maybe that will one day return. There were never any intentions, save perhaps to boost the profile of the magazine and help sell copies (that didn’t work). Long term, I just don’t know.

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Reply: Now Pages

Jamie Tanna

As I’ve been getting involved with the #IndieWeb, I’ve been starting to find other communities on the Web who are building upon new standards. One of these communities I found a while back was the Now Movement […]

The most inspiring ‘now’ page I’ve seen recently is Chris Burnett’s. It’s very simple—but I like that he rolls up his previous ‘now’ entries into a timeline of his life. What an ingenious improvement.

I’ve seen many ‘now’ pages that keep their history around, but many of these pages are styled more like a checklist. Amit Gawande’s actually leaves crossed off items at the bottom—also like a kind of timeline.

Of course, the ultimate timeline in this vein is Phil Gyford’s. Nice work on your page!

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16 May 2019

@schnarfed I’m having some trouble with Fed Bridgy. I’ve tried for several months to work it out without disturbing you, because I’m sure I’ve done something wrong. I’m getting an “Awaiting approval…” message from Mastodon when I test following @kickscondor.com@kickscondor.com. I can’t seem to get it to proceed. Any thoughts? Thank you!

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14 May 2019

Nathalie Lawhead’s Electric Zine Maker Beta (With Goldfishies)

At the crossroads between dank and useful.

This is sick—Nathalie Lawhead (who I’ve covered as Tetrageddon before) has made this paper zine maker that recalls Paint Shop Pro, Kid Pix and Kai’s Power Goo. Design the pages and it’ll put the fold lines in. Love the pattern tool.

I’m pronto all over this in my school clubs—but here’s her announcement:

@alienmelon:
It’s out!
The Electric Zine Maker (public beta)
⚡ Easily create, draw, write, and print zines!
📝 Folding instructions included!!
✂ You can save them, and re-import them.
☺ Made with collaboration in mind.
✨ Try it! It’s free!! ✨
(rt’s appreciated 💕)
pic.twitter.com/0DgiC24XaN

Additionally, have to cite this feature she dropped a mention for:

@alienmelon:

…the other one is an “authenticity filter” that will put an authenticify shader over the zine to make it look like it was photocopies and printed a million times (kind of halftones + thresholding). so you can easily & quickly have an authentic looking zine.

What can I say? I love everything about this. This will go in href.cool, too easy.

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13 May 2019

2019.05: Href.Cool Updates

Eleven new additions, mostly to ‘Crimes’.

My recent re-discovery of Things Magazine (probably from one of you, don’t recall now) and my own readings on crime-related topics have yielded some links that need to be permanently hung onto.

A new category, Bodies/Food:

Added to Crimes/Simple:

  • Photo Requests from Solitary Page 5m
    This goes here until I have a Favors/Simple category. Even when a request hasn’t been filled, the form is fun to read and stirs up such compassion. (Via Things.)

Added to Crimes/Impossible:

  • Spring-heeled Jack Article 5m
    The impossible leaping skill of this urban legend (ripped from the penny dreadfuls of the Victorian age) had such a technological flare. Ah, the idea that an inventor-cobbler with a gas-powered dental retainer could inspire demonic fear. His attacks lasted a century! (Also at Wikipedia.)

  • The Garfield Phones Beach Mystery Article 1m
    Who was sending plastic Garfield telephones up the Iroise coast for 35 years?

To Crimes/Lies:

  • How Golf Explains Trump Article 1m

    Well, for a 72-year-old, he’d be a six. Six or seven. So he’s good. He’s a good player. He’s among our best presidents ever to play golf. But he wants the world to think he’s fantastic.

    I think the best lies are the ones we all get to be in on.

Added to Tapes/Classic:

  • Broadcast Megaguide (by shadowplay) Directory 5m
    I love Broadcast. The first time I saw them/her, it was exactly like being in a vintage Star Trek episode, but with fantastic drums. I also love Stereolab—so this entire directory of offshoots and distant cousins is rich.

Added to Visuals/Film:

In Web/Meta:

And a new one for Web/Participate:

  • 1MB
    One megabyte (with only minor strings attached) to host anything you want, includes secure HTTP. If you want to go up to one gig, it’s a mere $100 for life. (See also: Neocities.)

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11 May 2019

Reply: Where’s My XYZ Post?

Hey, Jack—just want you to know that your post showed up on Indieweb.xyz… but it showed up as a reply to the link on BoffoSocko. Here’s where it ended up. And you can get to that link by clicking the little cream colored ‘🔖 1’ on the /en/bookclub page. (This is also why it says ‘last noticed 3 days ago’—that thread got bumped to the top.)

I am still making up my mind about how to show threads—I think I need to show a tree-style display of responses rather than just rolling them up into a number. I’ve initially tried to follow the design of Reddit or HN on these pages—but I think the appearance of a mailing list or forum might be more appropriate.

Anyway, if you have any suggestions or encounter any bugs, please let me know! Thankyou kindly.

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10 May 2019

Slaptrash Editor. This is a little project I’m messing with at the moment. It’s a simple way of creating video + audio + text mashups that you can embed in a webpage. Don’t worry if you feel that this thing is flippant and pointless—I’m well aware of that.

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09 May 2019

Reply: Autoapology

Jeremy Cherfas

Don’t do this! Just don’t. Autoplay ought to get you flayed alive.

I’m so sorry! I will fix this. I’m playing with an unfinished prototype here and rushed to get it out the door. Please bear with me.

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07 May 2019

Reply: C’s Book Club

Chris Aldrich

Some of us have thought about doing it before, but perhaps just jumping into the water and trying it out may be the best way to begin designing, testing, and building a true online IndieWeb Book Club.

Using Indieweb.xyz to form an ad-hoc book club.

This is cool—and now I’m trying to think of ways I can improve Indieweb.xyz for a purpose like this. One thing that comes to mind is possibly offering a few moderation tools for you. I think with a sub like this, it would be nice for you to have a “pinned post” or something at the top of /en/bookclub so that you can advertise the current selection for the club and some links to how to vote for the next selection—things like that. (This post would just be a syndicated post from your blog, Chris.)

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19 Apr 2019

Reply: Young Coder

Matthew MacDonald

Hey! I’m a coder and tech writer who runs a small publication on Medium about teaching kids to code. I’m mostly interested in alternate perspectives (less glitzy coding playgrounds, more getting creative) and I’ve been thinking about trying out Twine with my daughters.

Yeah, Twine is the real deal—to me, third to sixth is the ideal group for this tool. They’ve got down how to write, but may not yet see how useful writing can be. There’s a lot of negativity (in my experience) among this age group (in 2019) concerning writing—especially with video becoming so prevalent.

So I see Twine as a writing platform with coding playing a support role. This is awesome—because often kids will look at it as a ‘coding’ platform and not realize how much writing they are doing. I think this dual nature makes it incredibly powerful.

Sure, feel free to cite or syndicate anything here. I’m just glad you’re having the conversation. I’m definitely keeping an eye on your blog. Let’s be friends!

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18 Apr 2019

HrefHunt! for April

A new dump of personal website links, discovered in the last month.

Don’t know if personal websites are catching on again or if it’s all about finding the right vein—I am getting more and more impressed with what I find, what people are up to. I’m also finding more and more that are already all hooked up to the IndieWeb.

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09 Apr 2019

Memory of the World

Makeshift librarians in the wild.

Some fantastic links littered the floor during yesterday’s discussion about the Web[1]—there is just always more to see, isn’t there? This blog catalogs various public library projects—including its own Library (136 kilobooks in size).

What’s fascinating is that their library is just one peer in a network of book-sharing peers. (It’s with great fanfare that I now affix my ‘leeching’ tag to this post!) Yes, you can use their let’s share books project to host your own lovely library of electronic books. (See the dropdown that says 20 librarians online on the right-hand side.)

Let's Share Books

The blog has a wealth of interesting posts, including a tutorial on How to Be(come) an Amateur Librarian. As h0p3 has said, quoting Francis Bacon: knowledge is power[2].


  1. From HN. ↩︎

  2. For real. ↩︎

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08 Apr 2019

Reply: Not Google’s Fault

revvx

It’s not Google’s fault this time.

The problem is that Blogspam is now a (legitimate) industry much bigger than Google can manage.

Google Search became a playground for marketing firms to dump content made by low-paid freelancers with algorithmically chosen keywords, links and headers. It’s SEO on large scale. Everything is monitored via analytics and automatically posted to Wordpress. Every time Google tweaks its algorithm to catch it, they’re able to A-B test and then change thousands of texts all at once.

Personal blogs can’t even dream about competing with that.

In fact, those companies are actively competing with personal blogs by themselves: via tools like SEMRush and social media monitoring, they know which blogs are trending and use their tools to produce copycat content re-written by freelancers and powered by their SEO machine.

I know a startup that is churning 10 thousand blogposts per day on clients blogs, each costing from 2 to 5 dollars for a freelancer to write according to algorithmically defined parameters.

Just wait until they get posts written via OpenAI-style machine learning: the quality will be even lower.

Not only that: there’s no need for black hat SEO anymore. Blogposts from random clients have links to others clients blogs, and it is algorithmically generated in order to maximize views and satisfy Google’s algorithm. They have a gigantic pool of seemingly unconnected blogs to link to, so why not use it.

The irony is that companies buy this kind of blogspam to skip paying AdSense. Why pay when you can get organic search results? So not only they’re damaging the usefulness of the SERP, they’re directly eating Google’s bottom line. These blogs also have ZERO paid advertising inside them, since they’re advertising themselves.

That’s the reason Bing, DuckDuckGo and Yandex still have “old web” results.

That puts Google in a very difficult position and IMO they’re not wrong to fight it.

Well, I disagree. (Though I think your record of things is correct!) Certainly if you look at this as a bot war then Google’s actions make sense: we need our bots to outsmart the ‘bots’ (human bots even!) that are writing blogs.

But look at it another way: you have lots of humans writing - and it’s all of varying quality. Why not let the humans decide what’s good? The early Web was curated by humans, who kept directories, Smart.com ‘expert’ pages, websites and blogrolls that tried to show where quality could be found. Google’s bot war (and the idea that Google is the sole authority on quality) eliminated these valuable resources as collateral damage.

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04 Apr 2019

Reply: W0T A C00L SITE

joe jenett

As I enter the site, its style/flavor immediately reminds me of another site I consider to be a classic.

Times like this, it sure pays to have your depth of knowing what’s out there—YOUNG-HAE CHANG HEAVY INDUSTRIES is definitely a classic. One that you’ve now introduced me to. I finally took the time to browse it. What an inventive take on a blog. (Or on poetry?) Since 1997. My humblest thanks, Joe.

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Reply: This Is An Odd Experience

1uxb0x

Hey kicks! Saw your message, it shows me that you have clearly been looking through my wiki, this is an odd experience for me. I have never had anyone but my family look at my wiki, now that you are I don’t know exactly what to do. I will try to become friends with you though. I don’t know how to respond to your message exactly. (am I repeating myself?) The last thing I have to say is, please excuse my grammar, it’s some of the worst you will have seen.

You writing me back makes me so happy! I just LOVE the way you write. You are still reminding me of Édouard Levé: you write so precisely and plainly and in a way that feels honest to me—I agree that it’s very odd that I’m reading your wiki! But what can we do: you have one reader now.[1]

I have decided on a name, 1uxb0x, interesting story how I got it. I am hard on myself, sometimes. I have few things planed. All those notes pages were me writing down what my dad said. I think I am a literary wiki kid, but not tootytoot. I think I answered everything that needed answering.

😂 Okay, okay! I concede: you are not a tootytoot!

Now I am stunned that you take such extensive notes while your Dad is talking! I am hooked on your ‘Notes’ now—every home philosopher should be so lucky as to have a scribe such as you. You are doing very good work.

I will try not to comment, if it makes you nervous. But if it helps you write more, I will comment. You don’t need to be nervous, though. I am a total loser, my sister will tell you that.[2]


  1. Your response is particularly funny to me because many, many times I’ve tried to convince your father that having an audience changes writing in a variety of unpredictable ways—and I’m not sure he ever believed me. ↩︎

  2. I know your dad has said that he is like Dale Gribble or Raphael (the ninja turtle)—but if you ever watch any movie with Owen Wilson where he plays the most harmless, clueless character in the whole world—that’s me. (You can also tell me what fictional character you are, too—if you have one.) ↩︎

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Reply: Decentralizing Culture

h0p3

What do you think decentralizing power really means? We have to empathically give a shit about each other’s stories. […] My point of contention is not with the preservation of the underground (which I applaud) but a world in which the centralization of power is maintained through automation and dark UX so profound we can’t escape it.

You’re always asking me to clear up my terms—and I never do—but I’ll ask anyway: what do you mean by ‘power’? And what do you mean by ‘decentralizing power’? Because my first stab is that you’re talking about getting us back to local governments, tribes or something. The term ‘power’ gets bandied about—it’s the person with the money to hire, the person who radios the tanks when to roll in and when to back out, it’s the person with the megaphone.

I’m not really keyed in on ‘power’—I don’t see it as a kind of natural element. Seems more like it gets used to say: this, this is evil.

How to decentralize power? In a world of billions? Answering these questions is way beyond me. My wavelength is watching ‘humanity’—are we holding on to the transcendent ‘divinity’/‘shittiness’ of being human? Can we see this humanity in each other and at least allow the recognition of another human being to dawn on our faces?

I like to think of it as an ‘antimisanthrophic’ effort to at least establish a baseline sympathy or pity or some kind of comfort with our other peoples. Being a person is rough—we have no idea what’s going on here. Is this the real life? Is this just fantasy? (Perhaps I don’t take ‘power’ seriously enough. If none of us did—would it still be ‘power’?)

I will continue to argue for radical decentralization and worldclass p2p filtering. That is the only out, and the window may be closing. It can’t just be done by hand. We go down if the masses do.

Gah, I’m not convinced that technology has any answers! We can’t make some elaborate mousetrap that will enforce the life we want to live.

Of course, I’m not sure humans have any answers either! But I will say that talking to you and your family is the best technology I’ve encountered in a decade. Sure, I’m reliant on a sturdy free-enough technology that gets our words passed around. And those words are our plain humanity on the wire.

I am worried about some perhaps difficult to justify originality+authenticity moves, but the underground is not more real to me conceptually (though it can be more valid or valuable in the dialectic). I only care about “making it your own” insofar as it is justified to the particulars of your context. The Beautiful is not the overriding reason, but insofar as all other obligations are met, it is the last deciding force. The necessity of preserving freespeech and decentralizing power (including memetic distribution) comes long before The Beautiful though.

You’re not being cryptic—I just think sometimes your compression level is turned up on thoughts like these. I also have to add that I DO appreciate pop culture—I actually think it’s one of the most promising religions or symbolic systems we’ve ever developed. (And it’s REALLY tempting to demonize it, because it’s backup by capitalism—though I think that most people can appreciate the value of the engine—most people seem to agree that artists should be paid.)

Anyway, I don’t think mainstream culture is necessarily any less original or authentic than the underground. I just think that mainstream culture has become imbalanced—it has really captivated everyone this time, and fewer people seem to know how to escape it—which is the purpose of an ‘underground’, to me, and, of course, this is all just my perception.

I think—I think what happened was that, in the previous decade, the Internet gave the underground a tremendous breath of air. You basically had a network that was all underground—and I don’t just mean some kind of hip, stylized underground—I mean that, before the corporations figured out how to milk it, you would search for ‘donuts’ and be at someone’s uncle’s website.

There was no hunting around for rare vinyl or out-of-print Borges novels any more—the whole ‘underground’ world had doorways now. The underground became the mainstream culture and, yeah, we lost an actual underground. And I think there was a kind of crisis of overwhelm that mainstream culture had become so wide—like, “we need robots to sift through all of this.” There was a time when Twitter first came out that people were joking that it was just a bunch of people posting updates that they’re shitting right now. And now we just post those updates, no shame.

What, you want I should call you a selfish nihilist, a brainwashed individualist, an all-too-convenient emotivist, a shallow aesthete, a vapid internalist, a dark-triadic relativist, a deflecting anti-realist, a gas-lighting interlocutor, an actual waste of potential, and a gutless, wallowing, purposely purposeless sissy who hatlessly lacks the integrity to take the existential risk of committing themselves to an identity: i.e., the shadow of my enemy?

The part that actually got me here is the ‘shallow aesthete’ because it’s dead on—I think that I am on the prowl for this guy, but he’s out all the time, spray painting little soap bubbles on people’s suitcases.

I don’t think the point of a personal website is so much to design something pretty and ‘authentic’ (wtf?) or even ‘cool’. I think of it just as having a ‘home’—which seems eminently human to me—as opposed to ‘mechanical’ or ‘hive-minded’, such as being another tweet, lost in the feed.

While I hope for technologies like Dat (and have always loved peer-to-peer since the days of Freenet and Gnutella), the technology is so far from being adequate as to seem impossible at times. So, I’m quite happy getting anyone I can back into personal websites and wikis. Lately I’ve been thinking that ensuring a myriad of ISPs is a lot more important than peer-to-peer.

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The Roundups of SHACKLESHOTGUN

‘You need a human behind it.’

I was trying to explain how blogs could possibly still be relevant to a very young friend—and I was not convincing him.

At some point, though, it clicked—and he cried out, “SHACKLESHOTGUN!” And thereby I was introduced to the extensively researched and annotated link roundups on destinyroundup.com. I’m not a Destiny player—forgive my ignorance—still, I instantly could see that this crafty researcher’s work was intrepid and gifted. And then: wow, she made some time to talk to me!

kicks: Among gamers, Reddit has become a major hub for detailed discussion. I can see your round-ups existing on Reddit—why post them to a blog instead? Especially because Reddit subs are usually hostile to re-posting of blog posts.

shackleshotgun: My roundups existing (solely) on Reddit would go against one of the reasons the site was created in the first place. One purpose of it is being a tool for those who don’t like using Reddit, Twitter, or the official Bungie forums, something for people who want to see all info in one place. People don’t have time nor energy to rummage through three different social medias with awful user experience practices to see if an issue has been addressed by the developers.

Some people either can’t access the sites or don’t want to visit those sites, they just want to have a one stop shop.

Furthermore, info on Reddit and Twitter gets lost very easily because at their foundation those sites are very shoddily structured. Search bar doesn’t work on Twitter majority of the time (it omits results for unknown reasons), and on Reddit the search feature doesn’t look through comments (which is where majority of info is posted by the community managers and developers). Things on my site are archived, and not only that, they site focuses on one thing. You don’t need to dig through a lot of irrelevant info to find out if the developers have said something about a bug.

In order to retain my enjoyment of video games, I stay away from gaming communities. Reddit is quite the offender when it comes to toxicity and harbors content that doesn’t improve my day in the slightest so I don’t post at all on there for that very reason. I follow a very small circle of gaming people on Twitter, and that’s enough for me. People are free to link to my site on Reddit, though.[1]

kicks: Oh, for sure—those constant mobs in uproar.

But tell me—I wonder if you miss having access to Reddit comments on your posts. I would think that with your round-ups, most people would be very appreciative. Though perhaps some change to the game that week could spark tremendous arguments.

It looks like you prefer attaching a Twitter conversation to your posts. Was it a deliberate decision to have a blog without comments?

shackleshotgun: I don’t miss Reddit comments on my roundups because I never had them (as far as I know). If people have feedback for the site they are free to reach out to me either via DMs or email or mentioning me on Twitter.

It was a very deliberate choice to not have a comment section on the site. I didn’t see having a comment section as a productive thing for my site, and moderating it would be too time consuming. I don’t want people to stop visiting the site because of the comment section. Twitter makes for the best “comment section” because there the commenters can tag the developers/community managers with their thoughts on what was said.

kicks: Krikey. Comments as a liability! I have been lucky so far to have such good participation in my comments—but you clearly offer a perfectly useful read without them. I wonder if Twitter-just-for-comments is just a good way to treat Twitter in general.

The research you do on your round-ups is quite extensive—you must have fifty links you’re citing each week. Do you collect all of this on your own? Or do you take submissions through Twitter, Discord, Reddit and so on?

shackleshotgun: I do it all on my own. I have a system and a list of people to check in on each day. Once in a while people send me things I missed. I work very quickly so each summary takes max 30 mins out of my day. Having people submit things through avenues you’ve mentioned would take too long and make it a lot more arduous than it needs to be.

kicks: In a way, you operate kind of like a bot that is filtering through everything (from what I understand, you also try to snatch news out of podcast interviews) to distill it down to a summary. Our society has become accustomed to an algorithm doing this kind of job for us. However, your posts are written to be succinct and are very well-organized and laid out—with you writing and curating the heap of information.

shackleshotgun: I know that there have been some attempts to write bots for this kind of thing, but the developers often tweet/comment about things not related to the game. If you want to have a stream of info with only relevant things, you need a human behind it to filter it out.

kicks: This is a theme I keep seeing more and more. Humans as researchers and librarians on the Web, rather than just leaning back to let the bots passively feed us. I hope you enjoy doing the work—it might not be for everyone.

Did you have writing or research skills going into this project? Or did you just develop them as you went?

shackleshotgun: I didn’t have any related skills going into it. I studied programming and computer science for most of my life but had to go separate ways with that. When I started doing the roundups I was a Twitch streamer so I had a tiny audience on Twitter, and retweets from that audience helped lift the whole thing off. It’s been a fun learning experience.

kicks: Is it difficult for players out there to discover what you’re up to? In fact—any idea how most people find your blog?

shackleshotgun: Most people find me either via retweets of my summaries on Twitter, or YouTubers who have used my site for their videos shouting me out, or numerous podcasts I’ve been on.[2]

kicks: You started in a Google Doc—but moved to the blog last year. Was it difficult (technically) for you to start the blog? (Like: to get the design right, the layout and the organization.)

shackleshotgun: It was a relief to start the website, to be honest. By the time I started the website the google doc was a nightmare to use due to its size. There were some struggles with the site that are still ongoing.

Two big things that come to mind are the issues that come with any site that’s about archiving big quantities of information, and the design. Things are getting constantly patched in the game, which means info on the site becomes old, which in turn leads to a lot of issues in regards to organization. As for the design, I prefer usability and user experience over looks, but at the same time I want the site to look good and I still haven’t found that perfect mix between good design and great user experience.

So to summarize, starting it was very simple. Maintaining it is the actual challenge.


  1. See more in her community focus. ↩︎

  2. Some of her audio interviews can be found on DCP #95 or destinytruthcast #66. ↩︎

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03 Apr 2019

Reply: Losing Sites Not a Biggie

Nitin Khanna

So while yeah, it would suck if these cool/weird/fun sites disappear, and if YouTube one day loses all content from a period of time. But how much would it be a loss for civilization? The ideas would have been absorbed by the people of the time and the most important ones move on with artists and consumers in different ways.

A loss for civilization? Well, yeah, if you put it that way—civilization is going to roll on, regardless. I suppose you could say my effort is misplaced: perhaps better to work on helping our civilization survive, to live on, rather than trying to look to the past.

But, put another way: do I want to preserve a civilization that doesn’t embody any of the ideas that I care about? You’re probably right with your last line there—maybe I consider myself one who has ‘absorbed’ the ideas of my time and wants to ‘move on’ with those ideas in different ways. I can probably do this just fine without ready access to the source material—but I am glad that I was able to show Dont Look Back (1967) to a friend recently, rather than needing to just recount my recollection of it.

Definitely don’t want to save everything. Just some essential bits. And I shouldn’t try to be noble about it—just seems fun.

(And hey—kind of you to write up your thoughts, NK.)

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Reply: Flooding the Culture

Soraya Roberts

I read an article this weekend that I didn’t see being shared anywhere. You had to scroll down the Times pretty far to find it; it was in the arts section and it was about a group of black artists who were suddenly being recognized in their 70s and 80s. It was a frustrating read, a sort of too-little-too-late scenario because, sure, it’s always nice to get half a million dollars for your work, but where was the money when you were actually producing the work, while supporting a family and paying a mortgage, with many decades of life ahead of you?

Averting our gaze from mainstream culture—cAN It bE DoNE?

Hahah, wow—it’s funny because I find this article to be a similar kind of frustrating read. A good read—perhaps like the Times article was for her—but very frustrating. I wonder: is acceptance by mainstream culture really seen as the ultimate, final, crucial reward?

(Particularly now that we live in an age where it’s clear that the previous generation of cultural winners—be it Jimi Hendrix or Harper Lee—is rapidly fading away, to be replaced by YouTubers, video game streamers, YA writers, reality stars. Isn’t the mainstream culture going to be very ruthless in its war for canonization?)

I mean I love the author’s ultimate point: here, I won’t summarize it, let’s just get into it.

We need a mass realization that pulls us out of this flooding culture. That is: the acknowledgment by powerful organizations that we do in fact engage more with original stories—it’s a fact, look it up—that lasting conversations do not come out of Twitter trends, and that diversity means diversity—more that is different, not more of the same differences. As one curator told the Times in the piece about older black artists getting their due, “There has been a whole parallel universe that existed that people had not tapped into.” Tap into it.

As h0p3 would say: preach it! Tap into it.

But the author spends the entire piece looking away from the underground—scrutinizing the fucking New York Times to show us the way, looking at the top 20 shows on Netflix, stats on buying habits on Amazon. If the concern is that our culture is spending all of their time on Netflix, Amazon and the Times—well, so is this article.

So when we go to ‘tap into it’—what is it? Where is this ‘parallel universe’ we’re looking for? Where does this culture go to look for it? Is it on Amazon and Twitter somewhere? Are we supposed to continue using Netflix and Google—but somehow spend our time on the back alleys of those services?

Is this a request to leave alone the front page of the New York Times and start with the back page? (So much simpler to turn to the back page of the corporeal printed Times than to do so online.)

Clearly, the article decries the entire makeup of these systems:

Per CJR, these algorithms are “taste-reflectors,” meaning they don’t affect taste the way critics do but simply reinforce your palate; there is little discovery here.

And how much discovery can there be, really, with the same critics occupying the same space?

Yesss! So go outside those neatly ordered corporate-approved spaces, yeah?

Let’s return to that final tap into it! paragraph. The phrase I want to look at is here: “the acknowledgement by powerful organizations.” Wait—so the tap into it! is meant… for them??

Are you asking the powerful organizations to—go outside themselves? Why? So they can continue to show us what’s legitimate? Because they are the authorities on what shit is actually cool?

I mean, yes, I’m not dense—the ‘powerful organizations’ are a massive pipeline of fame and currency—and this stuff can be gasoline to an artist. (Lord knows I want Boots Riley to keep it up—dammit, give the man what he needs!) But all of us out here, all us commoners, put together—we’re pure fuel, too. There was a time when it seemed that those very organizations were at the mercy of the buying public, earlier in this century when the entire system shook in fear of ‘disruption’.

And so, it feels like the article is just asking the mainstream to open a little wider, to give out a few more awards here and there, in lip service to the world of underappreciated, wonderful, unknown artists. (Black artists, in her case—but also in mine, because I want my mind blown by cool shit as much as any of you.) And, yeah, okay, maybe the ‘corpypastas’ might just throw us a bone.

However, I love the ‘parallel universe’ she refers to—that’s our unruly, unpredictable Web—an extension of the underground scenes, of the avant-garde, the mixtape traders, the world of the only critics that matter: our little group of friends. Those mixtapes blow up out here first. Out in our parallel universe: all of you out on your little blogs and wikis that I tap into each day. This world exists. It’s here, even if it faces its own doom on some days, in the face of resurgent mainstream culture.

Fuck the NYT, fuck Netflix—I’m reading you folks.

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02 Apr 2019

Reply: Rex Sorgatz

tones

@kicks rex sorgatz’s new newsletter is worth a look.

Sweet—well taken! I am not into the celebrity news or mainstream papes. But it still looks like 30% of this is lesser known goodshit. The whole layout and vibe is quality. Again, thankyou!

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Reply: Apologies.xyz

Jacky Alciné

I finally did it. Koype’s first theme.

Doing good work. Koype looks sick. ✊

Spent some time sorting out why your posts weren’t coming through Indieweb.xyz. For some reason, Ruby’s Net::HTTP module (which my crawler uses) was timing out when connecting to your web server. I’ve moved to a curl-based lib and, yeah, that’s doin fine now. I’ll keep an eye on it.

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01 Apr 2019

Roundups

This month I’m digging into weekly link roundups.

E-mail newsletters (tinyletter, substack), along with weekly link summaries on Patreon, and podcasts or YouTube intros focused on ‘community news’—these are very popular types of tiny directories that I have been overlooking. Watching people like h0p3, Eli Mellen and Joe Jennett dump these kinds of periodic link collections, I’m convinced that they are a crucial support system for blog/wiki writers (Hypertexting).

Some things I’ve observed while hunting around for link roundups:

  • Some communities are really good at this kind of thing. For example, see the weekly ‘heavy metal preview’ put out by Not Part Of Your Scene. People want to find new songs, bands want their news songs to be heard, and the blogs want to sift through it all and find the gems—this just cuts right to it.

  • The best roundups take the time to organize, add some helpful commentary and just make it all look nice and readable. Eli’s got a good thing or Stephanie Walter’s ‘pixels of the week’. I will cover this more extensively going forward. (Another interesting one: No Time To Play, takes the form of short essays on gaming.)

  • The e-mail newsletter software out there is doing a pretty good job. Take The Go Gazelle, which uses Revue to publish its newsletter. It looks good—and I really appreciate that it embeds Tweets. (Relevant: ‘Tantek liked a post on Twitter’.)

  • Roundups lend themselves to group collaboration. Look at mega-roundups like the one done by Eidolon Classics on their Patreon. Would love to see this kind of weekly superpost on the topics I care about.

These are also incredibly common on micro.blog—is there a roundup of the roundups?

Some interesting ‘forks’/‘variants’ of the roundup:

I have more work to do, discovering innovations out there. But I have some good interviews coming up on the topic and will be doing another Let Me Link to You on the topic.

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28 Mar 2019

Reply: Return of the Jwwwedi

api

We tend to overestimate the impact of technologies in the short term and underestimate them in the long term. The Internet visionaries overestimated how rapidly the Internet would change the status quo. Instead the status quo came and colonized the Internet. The night is young though, and we have generations coming up right now that don’t know what one-way broadcast media even is. The printing press took a long time to totally transform society, but transform it it did. Society changes much more slowly than technology.

I personally think we are living through the “Empire Strikes Back” period—a period where the conventional powers (political think tanks, advertisers, ideological and state propagandists, etc.) have learned to attack the Internet using its own systems (social media, forums, memes, etc.) and the Internet hasn’t yet learned how to defend itself. This is probably peaking now with “peak social” and the explosion of hip and effective social media based state and political propaganda. I don’t know what “Return of the Jedi” will look like, but I think it’s likely coming. Some of the problems that need to be solved are technical but many are just a matter of people learning how to mentally filter BS in the new Internet era.

Somewhat agree. I’ve been getting back into blogs and personal websites—some of this is categorized under ‘indieweb’. There is a lot of good work being done out there, great conversations going on, strange and wonderful new hobbyists.

But I don’t know if the Web—or the digital rights movement or Occupy or meme culture or whatever your personal fancy is—will ever be retaken. There’s space for an underground now—which is good enough for me. Perhaps better than trying to fit all of mainstream society in. And maybe social networks can stay—as a kind of fly paper.

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Reply: Beyond Readers?

ladyhope

Rss readers have some of the same features as email clients, but I’d rather have all my subscribed sites in a different place than my inbox. As it is I’m already subscribed to too many discussion lists with high traffic. The best ones have bookmarklets or extensions that will let you subscribe to a feed extremely easily. Inoreader also has the feature where you can create feeds for pages without them, I think. I don’t use it so I’m not sure.

Could we use RSS for more?

I’m wondering lately if there’s a better way to do ‘readers’. Like you say, once you are monitoring 100s of sites, it’s disgusting to log in each day and see 100s of unread posts. I’m wondering if there’s something that could give me an overview of all the activity that’s going on out there, so I can then decide what to read. No ‘unread’ counts, no notifications. And, rather than having a big feed of recent activity, have a list of all the ‘bloggers’/‘writers’ so I can see who’s active—maybe with a little graph of how much is going on with them, maybe a list of recent post titles or something…

Makes me think of the Peach social network, where the ‘inbox’ was names of people who had updated—you could then go in and view their stuff. It was never presented as a big newsfeed or a big inbox of individual posts.

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Reply: One Year for Brad

(Ok—going to try commenting on the micro.blog ‘Conversation’ link rather than on Brad’s blog directly…)

Congratulations on this! As I was pushing some updates to href.cool today, I was thinking how wild it is to have our little group of directories up and going. That happened pretty quickly! Now we’re just doing the work of filling them in, digging up the web. Takes time.

Anyway, I’ve had a good time following you.

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default filename tv

Personal vids on shuffle (by @everestpipkin).

Noted by Eli here, this new project by @everestpipkin streams videos that are left with the camera-assigned title (i.e. DSC_5090.MOV, IMG_6715.MP4, etc.) and are likely raw, uncut personal footage.

Some videos I encountered while browsing:

This is a good channel.

Turns out there are some related sites: youhole.tv (similar channel of random obscure vids), astronaut.io (vids with zero views), petittube (same), /r/imgxxxx (subreddit of default filename vids).

Interesting comment on Twitter about these zero view channels:

Interesting—and doesn’t it effectively erase a video from its potential library by having 1 person view it?

An effective obscurity algorithm that likely won’t experience spam and can’t be gamed. Very interesting, indeed!

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27 Mar 2019

Fast FVP

The ‘hot and ready’ style of checklisting.

I am not generally interested in time-management or productivity systems—because I enjoy being such a mess—but this is a case where my study of algorithms kicks in. The Fast FVP system—formerly the Final Version Perfected, previously Final Version, née AutoFocus—is an algorithm by Mark Forster for determining what to work on, given a large list of tasks. (However, since none of those names are descriptive, I think of it as the ‘hot and ready’ system, when I explain it to someone.)

It is based on the question: “What do I want to do more than X?”

The algorithm looks like this:

  1. Put a dot next to the first item on the checklist.
    • That item is now X.
  2. Ask: Am I ready to do X now?
    • If so, you’re done: stop and do it.
  3. Ask: What do I want to do more than X?
    • Scan the list until you encounter a subsequent item which is more appealing.
    • Dot the item. It is now X.
    • Go to step 2.

And then, of course, you come back to the list later and cross off a completed item (re-adding it to the bottom of the list if you have remaining work to do on it) and run the algorithm again.

As mentioned, the development of the algorithm has gone through several variations. This reminds me very much of the recent trend to discover better hashing methods[1] and even extending to things like PageRank or YouTube’s curation algorithms.

What I like about Mark Forster’s approach is that he took the existing algorithms (many involving day planners or things like the GTD processing flowchart) and simplified the algorithm down to its bare essentials, never straying from its core emphasis: ‘psychological readiness’.

This is where FVP really enters new dimensions. By using a pre-selection process, the brain is softened up towards the selected tasks. But this isn’t all. The selection process is based on what you want to do. This colours the whole preselected list so that even tasks which seem like chores get affected.

It seems that, once simplified (made primitive?), an algorithm can then be played with, to try to reconfigure its simple pieces to align it closer to the ideals behind it. I make note of this approach so that it can be applied to the algorithms I (or we) are working on curate links or to orchestrate a crawler.

I also like that this is an algorithm designed for human software. While I sometimes use ‘recipes’ or manual processes as an analogy for algorithms, I like that this one is entirely mental/psychological—it seems perhaps unique in that regard. It is designed to be ‘loaded’[2].


  1. Such as recent developments like XXH3 and HighwayHash. ↩︎

  2. In fact, in the link above, the author simplifies Fast FVP down to the phrase: Ready? More? As if it were code. ↩︎

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25 Mar 2019

luming hao

this is a very messy and unstructured inpsiring personal site no actualy it’s more of a collection of txts and links and sometimes it uses html other times it just uses a basoc json file no it’s a blog this person is also on other sites but i’m not going to tell you where becau i have just bought a lettuce form a door to door saleswoman tell me you wouldn’t focus on that if you were it too

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Personal Site Dump

Raw blog/website links to look through.

I’ve stumbled across the link above (a list of personal portfolios compiled by Martin Pitt) and, well, this has been a bit of a recent trend:

I am not going to look through the tech blogs, because I’m not as interested in those. (Except ones like ameyama.com which blends a greater portion of assorted personal thoughts alongside the tech tutorial-type things.)

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22 Mar 2019

Dat Rats

Idea: gang up to cache classic websites.

This is just a zygotic bit of a thought that I’ve been having. A group that would band together to share classic websites (likely on the ‘dat’ network), perhaps as if they were abandonware or out-of-print books. Many of the early net.art sites have been kept up because they have university support; many other sites disappear and simply don’t function on The Internet Archive.

(To illustrate how even a major art piece can go down, Pharrell’s 24 Hours of Happy interactive music video—yeah. that link is broken. You can see kind of see it on YouTube, but… the hypertext enthusiast in me wants to see it live on in its original form.)

Some sites that I really need to reconstruct:

  • Room of 1,000 Snakes. This game hasn’t been playable for a year or two now. I promised a friend I would work on this. (This is an issue with Unity Web Player going defunct.)

  • The Woodcutter. Careful, redirects. This site was a huge deal for me when I was younger. When I started href.cool, it was fine—and had been fine for like fifteen years!—and then it suddenly broke. I think it can be reconstructed from The Internet Archive.

  • Fly Guy. Moved to the App Store??

  • SARDINE MAGOZINE. Charlie is gone now—so I’ve already started doing this.

  • SMASH TV. This suddenly disappeared recently, but I think it’s been restored to YouTube now—I need my copies.

Sites I need to back up; feels like their day is nigh:

  • 1080plus. I’ve already been through losing this once.

  • Bear Stearns Bravo. Yeah, I think so. (This Is My Milwaukee could be recreated too.)

  • “Like a Rolling Stone.” Similar story to “24 Hours of Happy”—this kind of disappears for months at a time, but seems to work as of March 2019.

  • Frog Fractions. This one is probably too adored to disappear—still.

  • Everything in my Real/Person category. These personal pages can easily float away suddenly.

Of course, I’d love to get the point where I have a cached copy of everything at href.cool—there are several Tumblrs in there and Blogspots. I’m not as worried with those, because The Internet Archive does a fine job of keeping them relatively intact. But if a YouTube channel disappears, it’s gone to us.

Along similar lines, I have been trying to message the creators of the Byte app—not the hyped Vine 2, but the original Byte that was basically like an underground vaporwave social network from 2014-2016. I want to secure a dump of the public Bytes from that era. It was sick.

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21 Mar 2019

Internet K-Hole

Not the most obscure link—but I’ve not run across it before, despite it being around on Blogspot from 2010-2014, then on Tumblr until a couple months ago (“since tumblr is full of narcs now”) when it moved to the link above. The pic thief behind the blog is “Babs”—who did an interview with Vice in 2015. I collect these kinds of candid photodumps on my Visuals/Images page. This one mostly focuses on white trash photos dating from about the 1970s.

Relevant comment (to all my fellow hyperlinkers) from the article:

Has it been become more difficult to maintain the same level of quality and find compelling images and videos over the five years you’ve been doing this?

Yeah I feel like it’s harder to find photos actually. I have a bunch of tricks I use to find photos on the Internet and now so many photos I’ve already used come up which can be frustrating. I’ve gotten more submissions lately, which is so awesome because a lot of them send in photos of themselves/their own friends in the 80s/90s, and they’re not already on the Internet.

It’s still strange to think that the early Internet seemed like it was filling up with photos and writings and ringtones—it seemed that it would just be an avalanche from then on. And it is, but it’s all become mostly unreachable, much harder to find. I wonder how much of it is deliberate and how much is the nature of the platforms.

Since zines are also in my wheelhouse, I also want to point out some of the links found in the vicinity of Internet K-Hole, such as:

  • HAMBURGER EYES ZINE. Thirty-seven issues of just photography—in the vein of good, great, jarring photos, based out of the SF Mission.

  • Angel Dust Chicago (short-lived?) junk store. This seems related to some of the tiny museums I’ve linked in the past. Video interview with the creators. (Also see my interview with The Zymoglyphic Museum.)

  • Vermillion and One found photo blog. More of an emphasis on campy art and fashion. I like the kid’s fashion pics—seems like that could be its own genre.

Ok, have your fun.

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I remarked to a friend that alien conspiracies seem to have died down in recent years, while other conspiracies have grown. He said that he felt this was because 20th Century technology was analog—film and tapes could be smudged and warped incidentally, which possibly led to misleading recordings. If there’s anything to this notion, I need to remember to return to it…

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