Kicks Condor

LEECHING AND LINKING IN THE HYPERTEXT KINGDOM

I FIRST DISCOVERED
THE 【TECHS-MECHS】WHO
ARE A CLAN OF SOUTH
OF THE BORDER GUNDAM
BREAKING DOWN
IMMIGRATION FENCES
WITH THEIR
IMPRESSIVE MANOS
MECANICAS

PLUNDER THE ARCHIVES

This page is also on dat.

Reply: H0p3styl1n6

h0p3

The CSS fragment idea is very interesting; it celebrates and signifies our participation in each others’ identities and work. It is a gift to try to represent someone’s aesthetic point of view or voicestyle in quotation. It’s like reading a letter in someone’s handwriting that you’ve seen many times before, conjuring memories like the smell of cinnamon rolls.

Ok, great start to our discussion about styling citations from each other in matching CSS.

I am sending this reply with a musky pork pie smell. See the attached WIFF file.

Yet again to my ignorance: I clearly do not appreciate Art as well as others. I’m an uncouth pig here. I love consuming it as a drug, and I’ve (very poorly) made plenty of it before. Trying to emotionally communicate the cognitively ineffable is something I do take seriously (enough to be very particular about it). Forgive me for being the joyless buzzkill rhetoric-hawk.

Ha-ha! Well, you are becoming very endeared to me, hawk. And you are right to keep us all in check. The buzz that you do kill—and it’s certainly not a buzzard-sized buzz—is not any buzz that was killed just 'cause.

I’m especially interested in form as it relates to function; I want something productive (pleasant workspaces help me work, of course). I don’t think I’m obsessed with minimalism (though I appreciate it), but rather plainness irwartfrr. If it works and it looks good enough: cool, I like that. I’m the kind of dude that will buy 5 identical shirts if I know they are cheap and comfortable. I want the majority of expressive work in my wiki to be in my words. Ideally, I want my words to carry as much of their meaning as possible without relying upon appearance (which I think can be nearly all of it), and only then do I want to work on appearance beyond as function as the delicious bonus.

Oh, I see this in you and I applaud it—loudly, standing—an ovation which goes in a great arc, knocking over the drinks of everyone else standing around me. (Part of this ovation is a simple appreciation of your last epic missive, which is due.)

I only side more toward art because I get so much out of it. I can’t think of a reasoned argument that has transfixed me as much as “Starry, Starry Night” has. And I don’t reach for a reasoned argument when life has fallen apart, but for Neil Young. (I am not arguing with you here—I know you have these things, too, and that you love cartoons and songs and shows and all that. And, come on—you are nuts for ASCII art, amirite? Alas, I also do fall into the trap you’re talking about of form over function.)

Alright, so with all those caveats in mind, we may end up doing this all by hand and passing tiddlers around—I’m also going to play with some styled RSS tonight and see what happens. And we’ll toss some ideas around.

One thing I know for sure: I don’t want to go too crazy on fonts, because I don’t want readers to have to load ten Web Fonts to make this work. That would be EXACTLY fonts over functions. But the basic colors and stuff—worth a try, yeah?

(One time you asked if you should read Vigoleis—no, don’t. He’s mine. And it’s like Infinite Jest, it will take you way too long to read and you’ll never want to read it again. Infinite Jest also wasn’t for me.)


Oh, also, from the footnote:

In a blind, stripped-down test, I’d prefer to make it so even a paraphrase of something I’ve said would evoke: ‘that sounds like h0p3’ or ‘h0p3 would like that’ or ‘you know who probably wouldn’t stop blathering on about this if he were reading this with me right now?..h0p3’ or ‘omg, this sounds like that asshole h0p3, lol.’

I feel this way about the words, too, for sure—but also the appearance. It’s like remembering The Three Stigmata of Palmer Eldritch for both the chitinous foreheads inside and the orange-red cover of the bug-eyed man with the robotic hands. It all comes flooding back like that.

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