Interviews here - or, maybe, chat logs. We’ll see.
Interviews here - or, maybe, chat logs. We’ll see.
The beginning of a new series where readers thoroughly interview themselves.
Some time ago, I had a reader send me a very curious e-mail. It was an interview that they had conducted. In fact, they had interviewed themself!
At first, this was very puzzling. But, on some reflection, I realized what a gift this was! I don’t like my part of the interview very well anyway. This is the answer!
Also I can’t stress to you enough - THIS IS NOT FICTIONAL OR SOME KIND OF HOAX. This is actually an e-mail I received of someone interviewing themselves. Feel free to contribute your own if you want to. I am beyond serious. I’m in some kind of state of eigenseriousness that goes by the street name of CAVE. AGED. CHEDDAR.
> Herb Quine enters the digichat.
Herb Quine: You are invited to a house boat party at Ted Nelson’s place. What do you bring?
Herb Quine: A dozen balloons and a first edition of “Lagos During The 80s - The Birth Of Competitive Knitting In An Era Of Overinsurance” by Lula Drury. Also, a pet hamster in case Werner Herzog shows up.
Herb Quine: Speaking of Werner Herzog, name at least one film missing in his filmography and how to fix this grave mistake with the help of a voucher for 53 free time machines minutes to be used for a single travel to a time before October 1995.
Herb Quine: Easy, the film in question would be the missing biopic of Mike Tyson focusing on his time as a scholar of Medieval Media Studies in the field of Carolingian Reality TV, played by Bruno Schleinstein and filmed entirely in Yiddish. How to use the time machine should be obvious enough.
Herb Quine: More seriously now, why a pet hamster?
Herb Quine: Pet hamsters are the closest thing to miniature grizzly bears, a fact which is of course entirely unrelated to their remarkable characteristics as party animals (the hamsters, not the bears, though they might qualify, too…). The purpose of the hamster at Ted’s party is thus twofold: In the unlikely event that a discussion of Xanadu’s future turns into an attempt to establish the Seasteading Republic Of Hypertext, someone needs to keep the engines chugging along. And secondly, you need a fluent German speaker to reminisce about Wagner with Werner (coincidentally also the title of the longest running radio show in Nigeria’s Yiddish enclave).
Herb Quine: You walk down to the shore to buy a new edition of “Learning Perl”, as you do every Thursday. But when you reach the ice cube factory, you suddenly realize that Unicode is pointless. Sure, you can play quite a few nice little language games with all these emojis they keep adding, but the burrow only goes so far. And then you hit the parking lot of the Consortium’s reserved committee parking spaces and tumble head first onto the seat of a convertible. Which makes sense, I guess, until you realize that the wonderful weather of the bay area is no bueno for rhizomes and others of their ilk. They need constant watering, don’t they?
Herb Quine: Sorry, was there a question?
Herb Quine: Yeah, all right, enough with the rambling. Let’s get down to business. What’s your affiliation with the FBI and are you or have you ever been an agent engaged in any work of endeavor related to printables, convertibles, mazes or any combination thereof?
Herb Quine: I can neither confirm nor deny the existence of the information sought. Also, classical logic is overrated and all these lying Cretan hipsters are not nearly as interesting as they think. If you ask me, and you just did, they are just lazy bums who came up with this lying-business as an excuse to get out of the real work of building tremendously beautiful walls like real Cretans do. These kids nowadays, let me tell you…
Herb Quine: Dat / Hypercore / Beaker sure look very interesting, but aren’t they a technical solution to a problem of the medium? One great aspect of Fraidycat is that it doesn’t care how established or indie your chosen medium is, in a way it feels as if Fraidycat is rerouting and connecting existing media to extend and create new media. It doesn’t care if you’re Kylie Jenner or Ted Nelson, it doesn’t (much) care about the underlying technology, because it changes the topology of the existing pieces while not denying that centralized sub-parts of the network still exist. Is a more foundational project like Dat / Hypercore / Beaker orthogonal to that idea?
Herb Quine: I know I’m mostly answering rhetorical questions at this point, but this is one that I’m really not sure how to answer. I do love the spirit of Dat / Hypercore / Beaker, I am just a bit suspicious of any attempts to revive the good parts of the personal web without paying attention to why it became less important as a medium (the non-app-web, that is), because I would be hesitant to point to technical reasons. To me, IPFS and SSB in particular often look like solutions that fix all the underlying tech in a very admirable way, without really changing the medium that they are producing or favoring. A decentralized Facebook will still result in a medium very much like Facebook, just at a disadvantage because the technical forces can never be fully aligned with the forces of the medium. I do think that Dat / Hypercore / Beaker are not as susceptible in this regard and I really hope that they do not end up emulating existing media too much. But really, I don’t know, what do you think?
Herb Quine: Is the treasure hunt over? What are we supposed to do now? Wait for National Treasure III? IS THIS REALLY IT? What about CGI Youngface and all the hard shell kayaks that are still lying around in undiscovered places on the globe? What about annie dark?
Herb Quine: Yeah, I don’t think I’m equipped to answer this one. But damn, it was an amazing ride so far.
In an attempt to shed some light on what is going on here, this person DOES preface the interview with a note to me which reads: “I am writing you this electronic letter to defuse the somewhat bizarre situation of having sent you an unsolicited printable maze that perhaps put you in an awkward position. After all, how are you supposed to react to such a strange and perhaps unexpected offering from a stranger on the internet? Well, since the printable maze in question has already escaped into the tubular ether, there is no going back and we might as well get to know each other a little better, what do you say?” (That other e-mail is reprinted in A Verbal History of the Infinitely Printable Maze, for completeness’ sake.) ↩︎
Fine, fine, I’ll cut in here. Can’t you lot just interview yourselves and
gotdamn leave me out of it??
I feel what you saying so acutely - making a distributed web is actually a minor change on the surface - who would notice? (And I’m levels down: not a zealot - I just think it’s fun.) But I think there are cascading effects. When the app and the data and the whole thing is on Facebook’s servers, that has implications. And when the app and the data and the whole are on home computers, that has implications.
For me, Beaker DOES pay attention to the original good part: view source. It brings view source to the modern ‘ye-app-web’ relevant part you speak of. That’s all. ↩︎
My digichat with @nayafia—an essential writer (imho) of texts, notes and wonderful roundups.
A few months ago, I stumbled across the essay ‘The tyranny of ideas’ and was truly struck by the inquisitive, thought-mashing flow of the writing. It’s just a great piece—I’ve read it several times now and talked about it with pretty much everyone I know. The author, Nadia Eghbal, writes quite a bit about funding open source software, but meanders all over, processing modern life on her website.
> Welcome to the digichat with Nadia.
kicks: You have a simple, minimalist blog—very limited styling, an RSS feed, generated with Jekyll—meaning you likely write all your posts in a plain text editor. What appealed to you about a minimalist design?
nadia: Before I started writing, I really liked blogs like Aaron Swartz’s and Paul Graham’s, which were minimally designed. If it’s a blog post, I generally don’t want to do anything that takes away from the text itself. It’s like when you cook a really nice piece of fish or steak or whatever: if the main ingredient is good, you shouldn’t need to season it.
kicks: You are also pretty sparse with your linking, image embedding, all the ‘hypertext’ features of the Web. I take it that your faith in plain text doesn’t extend to these?
nadia: Not sure I understand the q, but yes, I like keeping everything pretty sparse. I do like linking a lot (or at least I feel like I link a lot!) as a way of subtly saying “if you wanna dig into this thing more, you can go down this path over there, but otherwise I’m gonna keep talking”.
kicks: You have a page on your site for somewhat ephemeral thoughts and unpolished shorthand. This page has no feed, so it doesn’t actively broadcast—it could almost be seen as a neat personal touch to your website. However, you are incredibly active in updating this! Much more so than your Twitter account it seems. What motivates you to write there?
nadia: I like being able to publish my messier, half-formed thoughts, but I get turned off by putting those next to a like count. It feels like the more likes you get, the more you start writing things to get likes, whereas the REALLY weird, unpopular stuff probably won’t get many likes at all.
I worry about likes changing how I think and interfering with my ability to wander and explore the edges. (I am truly envious, however, of people who are able to use Twitter as a place to braindump their thoughts! I think I’m just too self-conscious.)
Someone (I think Eugene Wei?) once tweeted that all Twitter accounts eventually sound like fortune cookies. I don’t want to become a fortune cookie. So I like things like newsletters, and my notes page, which are still discoverable and semi-public, but aren’t subject to short feedback loops. I also removed comments on my blog for the same reason, and I never look at my site analytics.
kicks: This is making me seriously reconsider ‘likes’—which I’ve let pass as a kind of low-effort but benign and gracious comment. But now as I look at your ‘notes’ page—not only am I convinced by what you’ve said—I think the absence of all the ‘share’/‘like’ icons really makes that page feel like a running conversation. With ‘like’ counts, I think I’d be distracted wondering which thoughts were the most highly admired—but, come on, what kind of bullshit is that for me to be thinking while looking through your private thought journal?? So maybe it alters reading too in a sick way?
nadia: The problem with likes is it naturally draws your eye towards the most-liked stuff, instead of deciding for yourself what’s most interesting. It almost feels like I’d be taking agency away from the reader by doing that.
(Maybe I’m being a little sanctimonious—e.g. shorter thoughts probably draw ppl’s attention more than bigger paragraphs, there’s no way to totally avoid this problem—but I’d rather not add to it, either.)
I mean I think curation can be useful, e.g. on my homepage I highlight a couple of my favorite blog posts, because I assume they want a bit of guidance at that point. But on a stream-of-consciousness notes page, I’m assuming they’re more in exploratory, serendipity mode. I don’t want to guide them towards anything.
kicks: Ok, now: about the essays. The quality of your writing on your blog is very good, very thought-provoking and unique. Serious time has been invested into each essay. I imagine there is a wealth of publications who would love for you to write for them. Why post these to a personal blog?
nadia: Thanks! I like what Venkatesh Rao has to say about Ribbonfarm, which he thinks of as a wildlife preserve. I like having total freedom on my blog to roam around and write about whatever I want, as much or as little as I want. It’s like the popularity metrics thing: if I start writing for others, I worry it’d start to change what I think and write about.
That said: I do like writing for other publications and blogs occasionally! It’s just a very different experience, and I usually need to have a particular reason for doing it.
kicks: You know, your link to Ribbonfarm there has illustrated what you are saying so well. I’ve never really read that blog—but what better way to find it than in this chance conversation with you? (We’re enjoying ‘sidewalk life’ here—as you term it.)
nadia: Woot! Ribbonfarm is lifechanging, I’m a bit of a fangirl.
kicks: I mean the world is trying so hard to build technology that will have these conversations for us. Especially these ones where we find each other. At the same time, it feels like there is more to talk about than ever. Do you feel this way? Or, I mean—you’ve already written pretty extensively—do you still feel like you’re at the tip of the iceberg?
nadia: I definitely feel like I’m at the tip of the iceberg. There are so many half-written blog posts waiting for me to finish, and at some point I’ve realized I’ll never get to them all. And having meaningful conversations is a really tough thing to scale, too. I’m still trying to figure that one out.
kicks: To what degree do you feel like you need to repeat yourself? Because some important points are worth harping on, right?
nadia: I hate repeating myself. haha. This is maybe one of my biggest weaknesses. Part of why I blog is honestly just to avoid repeating myself; if I’ve talked about an idea with enough people separately, I want to codify it into a post and be done with it. I get really impatient about having the same conversations with multiple people. But to your point, important points do need to be repeated, which helps them spread and sink in. It’s just my least favorite thing.
kicks: Does it ever feel like your blog is out in the middle of nowhere? Or do you feel sufficiently connected to the rest of the network out there?
nadia: Haha yes, I definitely feel that way sometimes, although usually I find it comforting—sort of a “hidden in plain sight” kind of thing. Twitter and newsletter are basically my only ties between my blog and the outside world; that said, I think I’ve gotten a surprising amount of engagement that way.
Fundamentally, I think of my blog more like a portfolio, or a display case. It’s not about juicing up my readership, but connecting with the right people who happen upon it and find something that resonates. I’ve met so many amazing people through writing: I’ve gotten most of my work opportunities that way, and made a lot of friends, too! I’ve thought about whether I should focus more on distribution, but again, I think if I started to worry about that, it would make the whole experience less fun, and I might also start changing what I write about. Maybe it’s naive, but I like the idea of having a public place for my “pure” thoughts, and the only way I can think to do that is by explicitly not caring about who reads it or how it spreads around.
kicks: Well, I think you’re playing a long game here—by not cashing in on the immediate attention and likes of those networks. It’s definitely ‘purifying’ to drain away all those other purposes that could be tweaking your motives.
A home page definitely seems more and more inert—disconnected from society, from live notifications, seemingly deserted. But there’s an advantage to that—it’s like you can actually control the tempo there. It’s like visiting you at your home—down a wooded road—or, maybe more appropriately: your candy store, like the one you mention in “Reclaiming Public Life,” where “one is free to either hang around or dash in and out, no strings attached.”
nadia: I love this imagery of a homepage being like visiting a home down a wooded road. I am definitely the recluse living in a cabin
kicks: I wish it was more like a candy store, though—so I could hang out and meet another avid reader or give you a thanks as the door jingles on my way out. What is an adequate ‘social’ sidewalk for your blog—is it your attached Twitter account and email newsletter?
nadia: Yeah, Twitter is probably the “social sidewalk” for my blog. I’m still trying to figure out the newsletter thing. When I send out a newsletter, I get a bunch of responses from subscribers, but it feels inefficient somehow to have multiple 1:1 conversations with different people, when I’m sure others would love to read them. I’d almost even say it feels selfish…like I’m keeping all these ideas to myself! Occasionally I include some of the interesting stuff in the following newsletter, but yeah, I don’t like being the bottleneck keeping everyone apart from each other. I haven’t come up with a better alternative besides Twitter, but not everyone is active there.
I guess that’s why some blogs have comments. I was so anti-comments in the past bc it felt like “the comments section”, as a place, had become so crappy and low-quality. It’d be funny if comments sections made a retro comeback as a place to have deeper, substantive conversations. Or maybe they never went away, but I’m the one who’s coming back around to them. (Are newsletters are just the slow re-invention of blogs?)
kicks: Hahaha! I believe this is the first time I’ve heard a remark in possible favor of comments. Yes, I think it is. It’s possible you’ve unearthed the first truly contrarian thought on the Internet here… Which is especially ironic because we’ve just been deriding ‘likes’ somewhat.
Ok, I’ll stop there. Thank you for all that you are doing, Nadia!
nadia: Thank you for all your delightful and thoughtful observations! Really enjoying your trains of thought.
Oh and the fortune cookie remark is too good! It reminds me of something David Yates recently said to me: that there needs to be a name for that feeling where you click on a link to a sweet domain name and it ends up just being another Mastodon instance. ↩︎
‘We’re the kind of haphazard store that’s run by a shopkeeper/hoarder who won’t necessarily sell you something if he doesn’t want to…’
Continuing the recent theme of Roundups, I couldn’t resist checking in with things magazine, which has been a rich source of wonderful linkdumps for nearly two decades. There is also a popular Tumblr attached and a print journal that predates the blog.
I make many efforts to contact folks doing good work, but often can’t get a reply. My blog is as underground as they get and I wonder if my e-mails or DMs ever go anywhere. I was so glad to have this conversation with J—and I still have many questions, so I hope our chats continue.
kicks: You’ve all been on the web since 2000. In a way, this isn’t that special—blogging exploded around this time. But you kept going. What keeps you blogging nineteen years later?
j: It’s a habit, as much as anything else (although the site is currently on one of its temporary hiatuses). One of the original motivations for things was as a store of interesting links that I could refer back to, relating to my interests and those of contributors to what was once a print magazine.
But our link style is quite obtuse and it doesn’t really work as a searchable archive. So it’s more of a collection of moods—both mine and the culture at large.
kicks: Ok, wait, go back—hiatus? Not sure what to make of that! Your post today, for example, is a mean one. A rich trove of links. That had to take some hunting. Overall, I feel like your writings this year have been quite regular.
j: Yes, today’s post was a bit of a surprise. I’ve been building up a collection of stuff these past few days. I had meant to stay away for longer. Maybe our conversation inspired me.
kicks: You recently (briefly) mentioned the disappearance of what was once a whole ‘blogosphere’, saying, “our own blogroll is home to many an abandoned project…”
Even the blogroll itself has disappeared out there. Why do you think that is? Perhaps because they became difficult to keep up? Perhaps there’s a sense that linking isn’t worth doing any more unless it’s as a ‘like’ or a ‘friend’?
j: There was definitely a circularity to early blogging, links that were shared and directions travelled together. One by one people have fallen by the wayside. I guess it’s all there in the Wayback Machine, but occasionally I find a ‘traditional’ style link blog that transcends the awful ‘like and subscribe’ ethos of today’s internet.
kicks: Mmm, ‘circularity’—yes, when you say this, I’m reminded of how certain links would dominate all the blogs simultaneously—like when The Grey Album came out. But I think ‘circularity’ applies also in describing the currents that were flowing between these blogs.
It was just easier to get caught up in hopping from blog to blog and finding dozens of fascinating links in a given day. And not just the links—the blogs themselves were often the most fascinating finds. (One blog I was really into at the time was Sharpeworld—a lot of transporting, campy videos and links.)
Actually, let’s do this—if you were to envision a new future for blogging, a kind of renaissance—what blogs (new or defunct) do you wish were at the heart of this?
j: I loved Sharpeworld too. And Haddock.org, diskant.net, ilike.org.uk, a.wholelottanothing.org, textism.com, slower.net, plasticbag.org and many more.
I don’t necessarily think there needs to be a new future for blogging though. The heyday has passed, that’s all. Most forms of creative expression in most mediums still exist somewhere for someone. They just have to adapt to a quieter world. I check our traffic most days, out of habit—it’s not terribly impressive by any standards and is on a long-term downward trend…
kicks: It seems like things has kept an eye on communities like MeFi, Delicious and Tumblr over the years. Reading through your blog, I was reminded of those years when mp3 blogs were exciting. These communities always seemed like little underground holes or out-of-the-way clubs. Even Tumblr and Blogspot felt that way, because blogs have a lot of individuality. Any new communities springing up that excite you?
j: Not so much Delicious, because I always felt a bit late to that party, but I’ve long loved MeFi (although that’s feeling a little rusty these days as well). Tumblr I have a lot of affection for, although I still haven’t really forgiven it for killing off fffffound. Communities have become necessarily more niche—a forum here, a forum there—but there’s nothing I’d consider sticking my head up above the parapet for.
kicks: You usually cover art—which still has an enormous presence on Tumblr and Twitter and such—but are ‘net.art’ type works dead? Perhaps this isn’t in your wheelhouse—are there still artists that work with hypertext or is that just the domain of designers now?
j: ‘Net.art’ was a diversion and still exists, but it feels like the interesting hypertext/digital work is coming out of graphic design these days, not fine art. Art has moved on, whereas the applied arts have a much greater sense and understanding of the power of nostalgia.
Which is: I think it’s so much tougher to be subversive with HTML now. Much of the original hypertext art messed with HTML frames and pop-up windows. I remember some of these sites spawning lots of little pop-up windows and orchestrating them. That would just never be possible today. Even autoplay and MIDI is restricted now.
j: In terms of art I take your point about it being tough to be subversive on the web—everyone’s online experiences are very tram-lined these days and any deviation from expected standards of usability are massively frowned upon—they’re either seen as offensive or even potentially dangerous so even the slightest hint of a browser or data hijack are right out the window. The stakes are much higher, I guess. Whatever, art moved on a while ago. The internet is a vessel but no longer a medium.
One of the ongoing motivations for things is the idea of mental as well as literal links, that sense of disparate things being related somehow, or a path leading somewhere. That was the big dream of hypertext, which was supposed to be a literary as well as an informational device.
The only place that still really works are sites like Wikipedia or TVTropes, where you still get that sense of burrowing down through layers and layers of information. I like this because it mirrors thought processes, and the way in which you have to mentally rewind to get back to where you started from. It drives me mad when publications add self-referential hyperlinks that simply send you around a closed loop.
Must check out TiddlyWiki…
kicks: things Magazine as a ‘personal store’ and a ‘habit’—these reasons for continuing have nothing to do with an audience. This is a very common theme among those that I find still hypertexting.
There is a growing number of TiddlyWiki users—like h0p3 at philosopher.life and Phil at youneedastereo.com, my friend sphygm.us—and it takes real work to sift through what they’re doing. They are dumping raw notes and drafts on the Web. In some way, I think this is related to the ‘obtuse’ linking style you use—dense, really requiring something of the reader.
Now that you are many years into your habit, how do you personally use this ‘store’?
j: Sadly it doesn’t really work like that. I never mastered the art of tagging stuff so the tools on the site are of limited use. There’s an archive page I built a decade ago when I knew how to do that sort of thing but it would be great to have some kind of random access button the front page. Right now, we’re the kind of haphazard store that’s run by a shopkeeper/hoarder who won’t necessarily sell you something if he doesn’t want to…
kicks: This is an amusing reply to me—I’m of two minds about seeing things as ‘haphazard’. It’s deceptive—the blog layout itself is quite the opposite—neat and crisp (and this is true of your Tumblr, too) and even a lot of the visuals that you snip are geometric. One’s perception immediately connects it with a museum or card catalog.
Yet, I see what you’re saying. You often will spill twenty different links in a paragraph, sometimes with very little assistance as to what is beneath that link. And I’ve seen posts where you dump a pile of random Tumblrs with short cryptic titles in a long run-on sentence. You switch topics mid-paragraph. A paragraph will go from a cohesive thought into a kind of, yes, ‘haphazard’ link poem.
To many of these TiddlyWiki users, the wiki acts as a model of themselves—not a straight download, of course, but a pretty thorough map of their thinking and personality. things is not this, perhaps more like a construct of Borges—where you have the external appearance of a literate, orderly castle which is much closer to a labyrinth of madness within. So, if this is my picture of things—how does this compare with your initial intentions for it? How does it compare with where you think it might end up as?
j: ‘Link Poem’ is a good description of what we do. things was always a work in progress, both as a magazine and then as a website. It has calcified slightly from its early days when we’d also post longer pieces by other people (they’re all buried there somewhere)—maybe that will one day return. There were never any intentions, save perhaps to boost the profile of the magazine and help sell copies (that didn’t work). Long term, I just don’t know.
‘You need a human behind it.’
I was trying to explain how blogs could possibly still be relevant to a very young friend—and I was not convincing him.
At some point, though, it clicked—and he cried out, “SHACKLESHOTGUN!” And thereby I was introduced to the extensively researched and annotated link roundups on destinyroundup.com. I’m not a Destiny player—forgive my ignorance—still, I instantly could see that this crafty researcher’s work was intrepid and gifted. And then: wow, she made some time to talk to me!
kicks: Among gamers, Reddit has become a major hub for detailed discussion. I can see your round-ups existing on Reddit—why post them to a blog instead? Especially because Reddit subs are usually hostile to re-posting of blog posts.
shackleshotgun: My roundups existing (solely) on Reddit would go against one of the reasons the site was created in the first place. One purpose of it is being a tool for those who don’t like using Reddit, Twitter, or the official Bungie forums, something for people who want to see all info in one place. People don’t have time nor energy to rummage through three different social medias with awful user experience practices to see if an issue has been addressed by the developers.
Some people either can’t access the sites or don’t want to visit those sites, they just want to have a one stop shop.
Furthermore, info on Reddit and Twitter gets lost very easily because at their foundation those sites are very shoddily structured. Search bar doesn’t work on Twitter majority of the time (it omits results for unknown reasons), and on Reddit the search feature doesn’t look through comments (which is where majority of info is posted by the community managers and developers). Things on my site are archived, and not only that, they site focuses on one thing. You don’t need to dig through a lot of irrelevant info to find out if the developers have said something about a bug.
In order to retain my enjoyment of video games, I stay away from gaming communities. Reddit is quite the offender when it comes to toxicity and harbors content that doesn’t improve my day in the slightest so I don’t post at all on there for that very reason. I follow a very small circle of gaming people on Twitter, and that’s enough for me. People are free to link to my site on Reddit, though.
kicks: Oh, for sure—those constant mobs in uproar.
But tell me—I wonder if you miss having access to Reddit comments on your posts. I would think that with your round-ups, most people would be very appreciative. Though perhaps some change to the game that week could spark tremendous arguments.
It looks like you prefer attaching a Twitter conversation to your posts. Was it a deliberate decision to have a blog without comments?
shackleshotgun: I don’t miss Reddit comments on my roundups because I never had them (as far as I know). If people have feedback for the site they are free to reach out to me either via DMs or email or mentioning me on Twitter.
It was a very deliberate choice to not have a comment section on the site. I didn’t see having a comment section as a productive thing for my site, and moderating it would be too time consuming. I don’t want people to stop visiting the site because of the comment section. Twitter makes for the best “comment section” because there the commenters can tag the developers/community managers with their thoughts on what was said.
kicks: Krikey. Comments as a liability! I have been lucky so far to have such good participation in my comments—but you clearly offer a perfectly useful read without them. I wonder if Twitter-just-for-comments is just a good way to treat Twitter in general.
The research you do on your round-ups is quite extensive—you must have fifty links you’re citing each week. Do you collect all of this on your own? Or do you take submissions through Twitter, Discord, Reddit and so on?
shackleshotgun: I do it all on my own. I have a system and a list of people to check in on each day. Once in a while people send me things I missed. I work very quickly so each summary takes max 30 mins out of my day. Having people submit things through avenues you’ve mentioned would take too long and make it a lot more arduous than it needs to be.
kicks: In a way, you operate kind of like a bot that is filtering through everything (from what I understand, you also try to snatch news out of podcast interviews) to distill it down to a summary. Our society has become accustomed to an algorithm doing this kind of job for us. However, your posts are written to be succinct and are very well-organized and laid out—with you writing and curating the heap of information.
shackleshotgun: I know that there have been some attempts to write bots for this kind of thing, but the developers often tweet/comment about things not related to the game. If you want to have a stream of info with only relevant things, you need a human behind it to filter it out.
kicks: This is a theme I keep seeing more and more. Humans as researchers and librarians on the Web, rather than just leaning back to let the bots passively feed us. I hope you enjoy doing the work—it might not be for everyone.
Did you have writing or research skills going into this project? Or did you just develop them as you went?
shackleshotgun: I didn’t have any related skills going into it. I studied programming and computer science for most of my life but had to go separate ways with that. When I started doing the roundups I was a Twitch streamer so I had a tiny audience on Twitter, and retweets from that audience helped lift the whole thing off. It’s been a fun learning experience.
kicks: Is it difficult for players out there to discover what you’re up to? In fact—any idea how most people find your blog?
shackleshotgun: Most people find me either via retweets of my summaries on Twitter, or YouTubers who have used my site for their videos shouting me out, or numerous podcasts I’ve been on.
kicks: You started in a Google Doc—but moved to the blog last year. Was it difficult (technically) for you to start the blog? (Like: to get the design right, the layout and the organization.)
shackleshotgun: It was a relief to start the website, to be honest. By the time I started the website the google doc was a nightmare to use due to its size. There were some struggles with the site that are still ongoing.
Two big things that come to mind are the issues that come with any site that’s about archiving big quantities of information, and the design. Things are getting constantly patched in the game, which means info on the site becomes old, which in turn leads to a lot of issues in regards to organization. As for the design, I prefer usability and user experience over looks, but at the same time I want the site to look good and I still haven’t found that perfect mix between good design and great user experience.
So to summarize, starting it was very simple. Maintaining it is the actual challenge.
A corporeal directory to another world.
In my travels about the hypertext kingdom, I happened upon a rare portal to a so-called ‘Zymoglyphic’ world—islands of Earth ‘formed by the upwelling of molten magma from the underworld.’
I had not ever known of the creatures of this land! We talk of museums, libraries, cataloging and labeling here, do we not? Therefore, I awkwardly flailed out in my typical shock-curiosity to Jim Stewart—the Museum’s curator.
kicks: I recently discovered an interesting local museum a few blocks from my neighborhood after being unaware of it for five years. I drove behind it all the time and would have immediately spotted it had I driven on the other, parallel street. It took me five years to drive on that other, parallel street.
So what are your visitors like? Unsuspecting tourists? Neighbors that happen to drive by? Pilgrims?
jim: All of the above. Probably the majority of visitors are tourists and locals looking for “offbeat” things to see and do. Some are specifically interested in personal museums, natural history, curiosity cabinets, or a rust-and-dust aesthetic. I do get a fair share of people just passing by as well and have met a lot of neighbors this way.
kicks: So, did you have any idea in mind of who you were looking for when you started the museum or were you just glad to have anyone and everyone?
jim: At first I was just doing it for myself, then when I went public I was happy to have anyone appreciate it. Nowadays (after 2000 visitors) I’m mostly looking for the people interested in a more in-depth connection with the museum.
kicks: I love the guide you have, advice for curating your own museum. In a way, I took it as advice for the blog-hunting I do. You even have a section on ‘outreach’—I have a little group of online friends where we call this ‘find the others’—the pejorative word here might be ‘self-promotion’—to what degree do you engage in this kind of thing for the Zymoglyphic?
jim: Very little at his point. The blog has not seen an entry in years and the twitter account is inactive. Events are announced on Facebook and I have a mailing list that gets used 3 or 4 times a year. People who visit leave reviews on review sites and photos on Instagram, and I am on a lot of “quirky things to do in Portland” lists. The place is small and can’t really accommodate many people. Also, I think the fact that this is a physical place and not just an online presence puts it in a category that generates its own publicity.
kicks: Perhaps the museum is ‘complete’ and has no need of updates? Or is it in constant flux—are you always cooking up new exhibits?
jim: The basic format seems pretty stable. I’m working on a lot of different but related projects, such as a library and computer-generated aquarium.
kicks: You also have this profound quote in the book: “Once the museum is complete, it could become a private sanctuary for contemplation, since the museum will be like being inside your own subconscious mind.” This reminds me of the work at philosopher.life—where a fellow is cataloging his life and correspondence in a huge singular oracular HTML file. So when someone visits, are they able to absorb you through this portal—almost as if it is a stand-in for you—or is it as mysterious to you as it is to them?
jim: Very hard to say exactly what other people get out of it. Many are quite enthusiastic I think mostly they are finding something in themselves that they had not been able to express in just that way. I know from personal experience that it is possible to get a lot out of a work of art and not be able to relate to the artist as a person.
kicks: Haha, I love the idea that someone could relate more to the Zymoglyphic Mermaid than to you. Well—and you say on the website that you like to give the visitors their space to peruse and not be badgered or guided through. (Have I got that right?) Does it matter to you what the effect of the museum would be on somebody?
jim: Yes, the museum is on the second floor and I just send people up when they come in (even if they want a quick introduction). When they come back down is when I engage them about their reactions (if they seem open to it) and answer questions. I’m definitely interested in what their take on it is, and what it means to them. I keep track on the web site of all the reviews, blog mentions, etc. It’s especially meaningful if someone gets inspired to do something similar.
kicks: Having lived in towns with small museums, junk art houses, religious shrines—you have given your city and the world a great gift.
The Zymoglyphic Museum. ‘The Zymoglyphic Museum’s primary mission is the preservation of the unique natural and cultural heritage of the Zymoglyphic region. In addition, the museum hosts a variety of special collections and online exhibits related to zymoglyphic themes of natural art, celebration of decay, and museums as curiosity cabinets.’ ↩︎
Creating and Curating Your Own Personal Museum. Furthermore, the publications contains a myraid of other enchanting documents, such as the Museum’s Manifesto and A Guide to the Collections. All very worth your time. ↩︎
Ok, trying out an interview here—throwing some questions to the author of a beloved ‘zine’/‘operating system’.
I try to go out looking for links as much as possible.
(God’s sake, man—why?? Who needs more links, I can give you links—don’t toss yourself into the brambles—)
But I love to see the horrors and grotesques—to measure and inspect them. I aspire to be a grotesque and must be very studious about achieving it!
It all pays off when a link like whimsy.space comes a long.
kicks: Daniel, had a few questions about whimsy.space. (I really love glitch, too, of course—and hope it’s doing well, but the zine hits a nerve for me.) So, what ‘works’/‘zines’ inspired whimsy.space?
danielx: I was inspired by sites that have a lot of heart, things like the original Geocities. Also the feeling of personal computing from the mid 90s like win 3.1 and Win95. I’m also a fan of things like Dwarf Fortress and Bennett Foddy’s games.
Not necessarily that they are inaccessible for the sake of being inaccessible, but that if they were simpler they would be something different. Philosophically I’ve read and respect Alan Kay “The real computer revolution hasn’t happened yet” and Bret Victor.
kicks: Yeah, oh man, Foddy. I teach at an elementary school and a favorite activity I do is to play Foddy games with the kids hooked up to wires (Makey Makey-style) so that when they close the loop (by jumping on the floor or slapping hands, for instance) then CLOP hops around. It’s a credit to the simplicity of his design that we can do that.
What do you hope for it now? Was it just a momentary plaything—or is it an obsession?
danielx: It has been an on and off obsession. It depends on what else I’ve got going on in life and work outside of my own esoteric pursuits.
It’s definitely the hobby that brings me the most joy when I get to dig into it and see where it goes. Early on I decided that it would be for my own personal enjoyment and I wouldn’t look for ways to “make it a success” or “turn it into a business”. I want to keep my work and play separate you could say
kicks: I like that it doesn’t explain itself. I didn’t even get that it was REALLY a zine the first time I visited. I still don’t really understand how the filesystem and social media inside of it works. And I can’t help but feel that its opacity is symbolic. It feels like a hidden trove - like a person is or maybe like an animal is. You probably don’t care about ease of use - how did you design it?
danielx: I’ve created a lot of different web applications and sites and things over the years. Some of them for fun and some as businesses. With whimsy.space my goal was to have it be a curated collection of all my works along with other things I find interesting. About eight years ago I built an online game development environment at pixieengine.com. Now it’s been simplified to a pixel editor and art community. Whimsy.space is the spiritual successor to that, I want many different applications that can interact and contribute to creating content. To recreate the part of personal computing where the operator of the computer could combine small components in interesting ways to get profound results.
I care some about ease of use, though it’s not been my top priority lately. Similar to Bennett Foddy’s games I want it to be as easy as it can be without losing its essence and becoming something else.
The design and implementation is a lot of custom code and some integrations of existing components. The site itself is serverless/static hosted on AWS with S3 and CloudFront. I use AWS Cognito for the My Briefcase authentication feature and each user can upload to their own S3 subfolder. The UI is all my custom js/css inspired by Win3.1/95. The code editor is Ace. The apps run in iframes and talk to the system over postMessage. I use CoffeeScript for most of the code.
The essence of the zine part came from my tendency to always go too deep on architecture and infrastructure, so by having a periodic release of content it would force me to prioritize only the features that aided the content and not be a system of pure mechanics with nothing to showcase it.
kicks: Jeepers, didn’t expect that. Is this a kind of backend that you would recommend to hobbyists? I’m used to static HTML and JS.
danielx: I wouldn’t recommend going deep into AWS or other Cloud services for hobbyists. Since I do software engineering for my employment I’ve gained a lot of experience on “industrial strength” solutions.
The challenge is finding the subset that actually solve more problems than they cause.
I often feel like I’m crawling around in Jeff Bezos’ spaceship trying to bring alien technology to the people.
kicks: Are handmade ‘blogs’/‘zines’/‘home pages’ dying? Would that be a bad thing - like: is there something else?
danielx: They’re dying in the sense that every living thing is in a constant cycle of death and rebirth. There are probably more handmade blogs and home pages today than ever before (in an absolute sense) but proportionally they make up a smaller part of the internet.
I would like to see more people sharing personal computing and smaller internet communities. Businesses exist to consume consumers, by getting our hands dirty and crafting using technology individuals can gain knowledge and understanding of how these systems work so we might not be so vulnerable to all these forces trying to devour us. The web is a modern marvel, not quite as complex as nature, but it has its own evolution and ecology. I enjoy the first hand experience of digging around in it to see what I can learn about systems as well as myself.
glitchyowl, the future of 'people'.
jack & tals, hipster bait oracles.
maya.land, MAYA DOT LAND.
neil c. "some..."
all my other links are now at href.cool.